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<\/a>\nDup\u0103 absolvire, parcurge \u201ctraseul peregrin\u0103rilor\u201d, supliniri \u015fi transferuri, de la o \u015fcoal\u0103 la alta. Primul an se \u00eencadreaz\u0103 la \u015ecoala \u201cIndustria Casnic\u0103\u201d din Cepari, apoi, \u00een anii urm\u0103tori, ajunge \u00eenv\u0103\u0163\u0103toare la Ciofr\u00e2ngeni \u015fi Poienari, unde se \u00eent\u00e2lne\u015fte cu t\u00e2n\u0103rul \u00eenv\u0103\u0163\u0103tor Mihail Dudu, cu care se c\u0103s\u0103tore\u015fte \u00een anul 1935. Destinul face ca tinerii c\u0103s\u0103tori\u0163i \u201cfrumo\u015fi la chip \u015fi la suflet\u201d s\u0103 se titularizeze, \u00eempreun\u0103, la 1 septembrie 1936, la \u015ecoala Primar\u0103 din satul P\u00e2r\u00e2ie\u015fti, com. St\u0103ne\u015fti. Aici, \u00eenv. Mihail Dudu (1911-1987) este numit \u015fi director. Neav\u00e2nd locuin\u0163\u0103, sunt nevoi\u0163i s\u0103 convie\u0163uiasc\u0103, pentru o perioad\u0103, \u00een micu\u0163a cancelarie a \u015fcolii. S\u0103tenii \u201ci-au \u00eenfiat\u201d \u015fi i-au ajutat s\u0103 supravie\u0163uiasc\u0103. Cu mult\u0103 trud\u0103, tinerii dasc\u0103li \u015fi-au construit \u00een P\u00e2r\u00e2ie\u015fti o cas\u0103 spa\u0163ioas\u0103, devenind oameni ai locului: \u201cNe-am legat via\u0163a de satul acesta, de oamenii de-aici. Oriunde, oric\u00e2nd, noi am mers cu satul!\u201d, spunea doamna Dudu. A\u015fa cum remarca metaforic prof. Gh. Ungurenu\u015f, so\u0163ii Dudu \u201cau aprins aici opai\u0163ul a c\u0103rui lumin\u0103 s-a amplificat, devenind flac\u0103r\u0103, v\u00e2lv\u0103taie ce a aprins tot satul, pe aceia c\u0103rora le-a pus condeiul \u00een m\u00e2n\u0103 \u00eenv\u0103\u0163\u00e2ndu-i s\u0103 mig\u0103leasc\u0103 alfabetul, numerele, cuvintele, pe t\u0103bli\u0163a de ardezie!\u201d (\u201cFamilii de ieri \u015fi de azi\u201d\u2026 p. 21).<\/p>\n
Portretul \u201cD\u0103sc\u0103li\u0163ei\u201d, imortalizat pe pelicul\u0103<\/p>\n
\u00cen colec\u0163ia de trofee a familiei Dudu, la loc de cinste, se afl\u0103 filmele \u201c\u00cenv\u0103\u0163\u0103toarea\u201d (1954) \u015fi \u201cRe\u00eent\u00e2lnire cu vechii mei prieteni\u201d\u2026 (1971), ambele realizate de regizorul-documentarist Mirel Ilie\u015fiu (1923-1985), pe un scenariu de scriitorul Paul Anghel (1931-1995). Filmele \u201cvorbesc\u201d \u015fi ast\u0103zi prin imagini semnificative despre celebra \u00eenv\u0103\u0163\u0103toare emerit\u0103 Maria Dudu \u015fi \u015fcolarii ei de la P\u00e2r\u00e2ie\u015fti. Eram \u00een clasa a IV-a (1954), c\u00e2nd echipa de filmare a poposit la \u015fcoala noastr\u0103 pentru a imortaliza pe band\u0103 cinematografic\u0103 \u201cportretul D\u0103sc\u0103li\u0163ei\u201d cu chipu-i de \u201cmadon\u0103\u201d la catedr\u0103. Cu vorba-i u\u015for \u201csfielnic\u0103\u201d \u015fi \u201cblajin\u0103\u201d, asemenea d\u0103sc\u0103li\u0163ei poetului Octavian Goga, ne \u201cpreda\u201d lec\u0163ia \u201cdemnit\u0103\u0163ii \u015fi h\u0103rniciei\u201d, sub lumina proiec\u0163iei cinematografice, \u00eendemn\u00e2ndu-ne \u201cs\u0103 frecvent\u0103m \u015fcoala\u201d, \u00eenv\u0103\u0163\u0103tura deschiz\u00e2ndu-ne larg por\u0163ile devenirii profesionale. De la \u201cDoamna noastr\u0103\u201d am \u00eenv\u0103\u0163at c\u0103 \u00een drumul nostru prin \u015fcoal\u0103, singur\u0103 \u201cfrumuse\u0163ea vie\u0163ii\u201d r\u0103m\u00e2ne, \u201cca un curcubeu care se arcuie\u015fte pe deasupra norilor \u00eentuneca\u0163i \u015fi grei\u201d. \u015ei, din p\u0103cate, to\u0163i, copii \u015fi p\u0103rin\u0163i, din \u201cgenera\u0163ia Doamnei\u201d, am tr\u0103it vremuri grele: r\u0103zboiul \u015fi urm\u0103rile lui tragice, anii cumpli\u0163i de secet\u0103 \u015fi foamete, cu restric\u0163ii \u015fi \u201ccartele\u201d\u2026 pentru alimente \u015fi \u00eembr\u0103c\u0103minte, presiunile regimului stalinist-comunist etc. \u201cCumplite vremuri\u201d de trist\u0103 amintire, \u00een care am crescut \u015fi ne-am preg\u0103tit pentru via\u0163\u0103!\u2026 \u00cen timpul r\u0103zboiului, \u00eenv. M. Dudu, \u00eempreun\u0103 cu femeile din sat, \u201cconfec\u0163ioneaz\u0103 fulare, ciorapi \u015fi m\u0103nu\u015fi din l\u00e2n\u0103\u201d pentru solda\u0163ii de pe front, iar la C\u0103minul Cultural \u201cPlai de dor\u201d organizeaz\u0103 serb\u0103ri cu scop umanitar, pentru ajutorarea refugia\u0163ilor din Moldova. \u00cenv\u0103\u0163\u0103toarea Maria Dudu ne-a fost \u201cc\u0103l\u0103uza protectoare\u201d \u00een educa\u0163ie \u015fi cultur\u0103; cu dragoste p\u0103rinteasc\u0103, ne-a \u00eemb\u0103rb\u0103tat \u015fi ne-a sf\u0103tuit, ne-a \u00eencurajat pe calea cea bun\u0103. Pe to\u0163i, tineri \u015fi v\u00e2rstnici, ne \u00eendemna la munc\u0103 cinstit\u0103, ca fiind \u201csingurul izvor de satisfac\u0163ii \u015fi bucurii\u201d. Pentru noi \u015fi-a pus sufletul pe \u201cAltarul luminat al \u015fcolii\u201d, arz\u00e2nd pentru binele comunit\u0103\u0163ii\u2026
\nCaracteriz\u00e2nd personalitatea complex\u0103 a \u00eenv. Maria Dudu, regizorul Mirel Ilie\u015fiu se dest\u0103inuie: \u201cAm filmat atunci o devotat\u0103 \u015fi priceput\u0103 \u00eenv\u0103\u0163\u0103toare, pun\u00e2nd-o \u00een adev\u0103rata lumin\u0103 printr-o caleidoscopic\u0103 suit\u0103 de micro-portrete ale \u00eenv\u0103\u0163\u0103ceilor, c\u0103rora le deschidea orizonturile vie\u0163ii\u201d (\u201cInforma\u0163ia Bucure\u015ftiului\u201d, 14 martie 1970, interviu realizat de Nae Cosmescu). \u00cenv\u0103\u0163\u0103ceii eram noi, \u00een ordinea din catalogul clasei a IV-a: B\u0103descu Maria, B\u0103descu Eugenia, Com\u0103nescu Gheorghe, Costescu Polixenia, Dejanu Daniel, Dinu Ion, Moisel Nicolae, Pavel Aurel, Tu\u015fa \u201cCatalinei\u201d (eleva \u201cproblem\u0103\u201d, care fugea cu caprele pe Vlezia, lipsind de la \u015fcoal\u0103. Doamna o convinge pe Tu\u015fa s\u0103 frecventeze cu regularitate \u015fcoala. De la acest \u201cpretext\u201d porne\u015fte filmul \u201c\u00cenv\u0103\u0163\u0103toarea\u201d\u2026). Fiecare cu povestea lui de via\u0163\u0103 \u015fi toate \u00eensumate \u00eentruchipeaz\u0103 \u201cPovestea vie\u0163ii \u015ecolii P\u00e2r\u00e2ie\u015fti\u201d, condus\u0103 de \u00eenv. Maria Dudu, o poveste brodat\u0103 pe o pelicul\u0103 cinematografic\u0103 \u015fi cu deosebire \u00een \u201cmemoria vie\u201d a satului P\u00e2r\u00e2ie\u015fti. Revenind peste ani la St\u0103ne\u015fti, pentru a urm\u0103ri \u201cevolu\u0163ia \u00eenv\u0103\u0163\u0103ceilor\u201d \u015fi \u201crealiz\u0103rile\u201d Doamnei \u00eenv\u0103\u0163\u0103toare, regizorul Mirel Ile\u015fiu \u201ctoarn\u0103\u201d un nou film intitulat sugestiv \u201cRe\u00eent\u00e2lnire cu vechii mai prieteni\u201d\u2026 (1971). \u201c\u2026 am re\u00eent\u00e2lnit-o pe eroina filmului, \u00eenv. Maria Dudu, se dest\u0103inuie Mirel Ilie\u015fiu. \u00centre timp s-a pensionat, \u00eens\u0103 continu\u0103 s\u0103 activeze ca deputat\u0103 (\u2026) \u015fi ca entuzias\u0103 instructoare a arti\u015ftilor amatori\u2026 Semnificative mi se par evolu\u0163iile copiilor, c\u0103rora atunci (anul 1954, n.n.) le deschidea orizonturile vie\u0163ii\u2026 Unii sunt acum profesori, ingineri, tehnicieni\u201d\u2026 (\u201cInforma\u0163ia Bucure\u015ftiului\u201d, 21 aprilie 1972). Ziarele vremii (\u201cRom\u00e2nia liber\u0103\u201d, \u201cInforma\u0163ia Bucure\u015ftiului\u201d, revista \u201cMagazin\u201d, \u201cSecera \u015fi ciocanul\u201d \u015fi altele) au consemnat pe larg activitatea didactic\u0103 a \u00eenv. Maria Dudu. A\u015f aminti articolul \u201c\u00cenv\u0103\u0163\u0103toarea\u201d, semnat de prof. P. Tudose \u00een \u201cSecera \u015fi ciocanul\u201d (14 martie 1964), \u00een care este elogiat\u0103 \u201cD\u0103sc\u0103li\u0163a de la P\u00e2r\u00e2ie\u015fti care se apropie cu drag de copii, are o atitudine cald\u0103, delicat\u0103, le picur\u0103 zi de zi \u00een suflete setea de munc\u0103 \u015fi de adev\u0103r, \u00eembin\u00e2nd bl\u00e2nde\u0163ea cu severitatea\u201d.<\/p>\n
Revigorator al vie\u0163ii culturale st\u0103ne\u015ftene<\/p>\n
Talent pedagogic \u00eenn\u0103scut, \u00eenzestrat\u0103 cu voin\u0163\u0103 \u015fi perseveren\u0163\u0103, doamna a urcat treptele didactice, ob\u0163in\u00e2nd toate gradele (definitiv, Gr. II \u015fi Gr. I). Pentru merite deosebite, \u00eenainte de pensionare (1969), prezidiul MAN i-a conferit \u201cMedalia Muncii\u201d, prin decretul din 2 iunie 1955. Din partea Ministerului \u00cenv\u0103\u0163\u0103m\u00e2ntului a primit binemeritata distinc\u0163ie de \u201c\u00cenv\u0103\u0163\u0103tor Frunta\u015f\u201d (iunie 1961), iar Consiliului de Stat i-a conferit prin decret de stat \u015fi Titlul de \u201c\u00cenv\u0103\u0163\u0103tor Emerit\u201d (27 iunie 1966). \u00cenc\u0103 din 1948, \u00eenv. Maria Dudu a fost numit\u0103 \u015fi directoare la C\u0103minul Cultural de centru din St\u0103ne\u015fti, prilej de a se manifesta cu competen\u0163\u0103 \u015fi \u00een activitatea cultural-artistic\u0103 de mas\u0103. Mai \u00eent\u00e2i se preocup\u0103 de valorificarea tradi\u0163iilor folclorice locale. \u00ce\u015fi formeaz\u0103 un colectiv de colaboratori ca prof. N. Hera, Ion Dinu, Mihail Dudu, Margareta Du\u0163oiu, Gh. Ungureanu \u015fi al\u0163ii. Pe l\u00e2ng\u0103 forma\u0163ia de dansuri, \u00eenfiin\u0163at\u0103 \u00eenc\u0103 din 1938, instructoarea Maria Dudu, \u00een cooperare cu \u00eenv. Ion Dinu (corepetitor, vioar\u0103) dezvolt\u0103 \u015fi reorganizeaz\u0103 forma\u0163ia cu noi suite coregrafice. De la 8 perechi se ajunge la 30 perechi de arti\u015fti-dansatori, organiza\u0163i \u00een suite pe trei genera\u0163ii (copii, tineri, b\u0103tr\u00e2ni). Forma\u0163ia impresioneaz\u0103 prin repertoriul deosebit de bogat \u015fi autentic: s\u00e2rba (cu variantele ei), m\u00e2nioasa, rustemul, cioc\u00e2rlanul, ciuleandra, ungurica \u015fi altele, suita \u00eencheindu-se totdeauna cu \u201cbr\u00e2ul pe \u015fase\u201d specific st\u0103ne\u015ftenilor. \u00cen revista \u201c\u00cendrum\u0103torul cultural\u201d (1954), marele coregraf Gh. Baciu apreciaz\u0103 \u201cfelul de a \u00eenl\u0103n\u0163ui dansurile \u00een suit\u0103 \u015fi emo\u0163iile artistice create spectatorilor\u201d. Palmaresul trofeelor forma\u0163iei de dansuri este impresionant: peste 50 premii, medalii \u015fi diplome \u201ccucerite\u201d \u00een concursuri regionale \u015fi na\u0163ionale. Cu forma\u0163ia de dansuri se atinge str\u0103lucirea la \u201cDialog la distan\u0163\u0103\u201d (27 martie 1966), c\u00e2nd pe scena \u201cOperei Rom\u00e2ne\u201d din Bucure\u015fti, se \u00eencheia spectacolul folcloric prezentat de regiunea Arge\u015f cu \u201cbr\u00e2ul pe \u015fase\u201d de la St\u0103ne\u015fti, coloana fiind \u00eencheiat\u0103 chiar de \u201cdansatorul student\u201d, ast\u0103zi, semnatarul acestor r\u00e2nduri.
\nCa directoare de c\u0103min, doamna Dudu preia \u015fi bagheta dirij\u0103rii forma\u0163iei corale din St\u0103ne\u015fti, unde reu\u015fe\u015fte s\u0103 adune, cu ajutorul cadrelor didactice \u015fi a preo\u0163ilor, peste o sut\u0103 de cori\u015fti, to\u0163i \u00eembr\u0103ca\u0163i \u00een frumoase costume populare de Muscel, av\u00e2nd \u00een repertoriu, c\u00e2ntece patriotice \u015fi prelucr\u0103ri folclorice. \u00cen anii \u015faizeci, am avut ocazia s\u0103 admir pe scena Casei de Cultur\u0103 din Curtea de Arge\u015f corul mixt, dirijat de \u00eenv. Maria Dudu (\u00eempodobit\u0103 cu un superb costum popular, cu maram\u0103), \u00een care preotul Ion Eftimie, un mare \u201cp\u0103stor de suflete\u201d, ca solist, impresion\u00e2nd, pe to\u0163i spectatorii, cu vocea sa baritonal\u0103, excep\u0163ional\u0103\u2026
\nCa \u201canimatoare cultural\u0103\u201d, doamna Dudu avea grij\u0103 s\u0103-i mobilizeze pe cei tineri la activit\u0103\u0163i cultural-artistice, pe cei pleca\u0163i din sat, la \u015fcoli sau facult\u0103\u0163i. Astfel, de mai multe ori, m-a \u201ccooperat\u201d \u015fi pe mine \u00een echipa de dansuri \u015fi \u00een trupa de teatru. \u00cen anii 1964-1965 am \u201cjucat\u201d \u00een comedia \u201cSlug\u0103 la doi st\u0103p\u00e2ni\u201d de Carlo Goldoni (regizat\u0103 de prof. Gh. Ungureanu), \u00een rolul lui Florindo, al\u0103turi de Dade Moisescu (devenit ulterior mare regizor), sluga Trufaldino \u015fi de Lili Sandu, Beatrice, al doilea st\u0103p\u00e2n, \u00een travesti. La premier\u0103, spre hazul spectatorilor, a ie\u015fit pe scen\u0103, \u00een timpul spectacolului, o \u201cb\u0103taie\u201d pe cinste, \u201csluga\u201d Dade Moisescu ripost\u00e2nd cu violen\u0163\u0103 la \u201cb\u0103taia\u201d pe care i-am administrat-o \u201cca st\u0103p\u00e2n\u201d\u2026 Invoca faptul c\u0103 l-am lovit prea tare \u015fi a ripostat.
\n\u00cenv\u0103\u0163\u0103toarea emerit\u0103 Maria Dudu, o fiin\u0163\u0103 deosebit\u0103, firav\u0103 \u015fi delicat\u0103, \u015fi-a \u00eendeplinit cu cinste atribu\u0163iile de so\u0163ie, de gospodin\u0103 \u015fi, mai ales, de mam\u0103 bl\u00e2nd\u0103, devotat\u0103 familiei. A n\u0103scut \u015fi crescut cu ging\u0103\u015fie matern\u0103 trei fiice, frumoase ca ni\u015fte flori. Doina, fiica cea mare cu nume de c\u00e2ntec, a f\u0103cut studii universitare la Bucure\u015fti, absolvind Facultatea de Pedagogie-Filologie (1959), fiind cunoscut\u0103 \u00een jude\u0163ul Arge\u015f pentru competen\u0163a sa profesional\u0103. Emilia, fiica cea mijlocie, s-a remarcat ca asistent\u0103 medical\u0103 \u00een Pite\u015fti, iar Carmina, fiica cea mic\u0103, absolvent\u0103 a Facult\u0103\u0163ii de Chimie-Industrial\u0103, \u015fi-a luat libertatea de a se manifesta \u00een comunitatea rom\u00e2nesc\u0103 din Canada. Atrase fiind de \u201cr\u0103d\u0103cinile natale\u201d, fetele se \u00eentorc periodic la casa p\u0103rinteasc\u0103, pentru a cinsti memoria iubi\u0163ilor p\u0103rin\u0163i \u015fi dasc\u0103li, Maria \u015fi Mihail Dudu, care \u015fi-au g\u0103sit odihna ve\u015fnic\u0103 l\u00e2ng\u0103 Biserica \u201cSf. Voievozi\u201d din P\u00e2r\u00e2ie\u015fti. Din clopotni\u0163a de lacrimi a \u201cb\u0103tr\u00e2nei cet\u0103\u0163i\u201d se aude mereu, \u00een zi de s\u0103rb\u0103toare, dang\u0103tul amintirilor ca o chemarea divin\u0103 la rug\u0103ciune pentru \u201cDoamna noastr\u0103\u201d care r\u0103m\u00e2ne ca o icoan\u0103 vie \u00een sufletele \u015fi inimile st\u0103ne\u015ftenilor. Un g\u00e2nd pios pentru sufletul ei nobil \u015fi generos, pentru inima sa de aur! Rostindu-i \u00een cor \u201cbalada\u201d cre\u015ftineasc\u0103 \u201cVe\u015fnica pomenire\u201d, s\u0103-i aprindem spre nemurire candela recuno\u015ftin\u0163ei ve\u015fnice\u2026<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
\n\u00cen amintirea anilor mei din copil\u0103rie, \u00eencerc s\u0103 creionez cu fireasc\u0103 emo\u0163ie \u015fi cu ad\u00e2nc\u0103 dragoste, respect \u015fi recuno\u015ftin\u0163\u0103, pe \u00eent\u00e2ia mea \u201cD\u0103sc\u0103li\u0163\u0103\u201d din via\u0163a de \u015fcolar, \u00eenv\u0103\u0163\u0103toarea emerit\u0103 Maria Dudu (1912-1998), cea care, cu p\u0103rinteasc\u0103 grij\u0103, mi-a pus condeiul \u00een m\u00e2n\u0103 \u201cpe t\u0103bli\u0163a de ardezie\u201d, \u00een \u015ecoala Primar\u0103 din P\u00e2r\u00e2ie\u015fti, com. St\u0103ne\u015fti (Corbi), fostul […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-4508","post","type-post","status-publish","format-standard","hentry","category-general"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/posts\/4508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4508"}],"version-history":[{"count":1,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/posts\/4508\/revisions"}],"predecessor-version":[{"id":4510,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=\/wp\/v2\/posts\/4508\/revisions\/4510"}],"wp:attachment":[{"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4508"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.primariacorbi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}